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Thursday 26 October 2023

Web Page 3071 26th October 2023 First Picture: Traditional Match Box
Second Picture Match Factory
Third Picture: Swan Vestas
Fourth Picture: England’s Glory
Matches Bryant & May was a company created in the mid-19th century specifically to make matches. Their original Bryant & May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant & May Factory, Melbourne, and owned match factories in other parts of the world. The registered trade name Bryant & May still exists and it is owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant & May group. In 1861 Bryant relocated the business to a three-acre site, on Fairfield Road, Bow, East London. The building, an old candle factory, was demolished and a model factory was built in the mock-Venetian style popular at the time. The factory was heavily mechanised and included twenty-five steam engines to power the machinery. On nearby Bow Common, the company built a timber mill to make splints from imported Canadian pine. Bryant & May were aware of "phossy jaw". If a worker complained of having toothache, they were told to have the teeth removed immediately or be sacked. In the 1880s Bryant & May employed nearly 5,000 people, most of them female and Irish, or of Irish descent; by 1895 the figure was 2,000 of whom between 1,200 and 1,500 were women and girls. The workers were paid different rates for completing a ten-hour day, depending on the type of work undertaken.[ The frame-fillers were paid 1 shilling per 100 frames completed; the cutters received 23⁄4 d for three gross of boxes, and the packers got 1s 9d per 100 boxes wrapped up. Those under 14 years of-age received a weekly wage of 4s. Most workers were lucky if they took the full amounts home, as a series of fines were levied by the foremen, with the money deducted directly from wages. The fines included 3d for having an untidy workbench, talking or having dirty feet—many of the workers were bare-footed as shoes were too expensive; 5d was deducted for being late; and a shilling for having a burnt match on the workbench. The women and girls involved in boxing up the matches, they had to pay the boys who brought them the frames from the drying ovens, and had to supply their own glue and brushes. One girl who dropped a tray of matches was fined 6d The match boxes were made through domestic outwork under a sweating system. Such a system was preferred because the workers were not covered under the Factory Acts. Such workers received 21⁄4 to 21⁄2 d per gross of boxes. The workers had to provide glue and string from their own funds. In 1871 Robert Lowe, the Chancellor of the Exchequer, attempted to introduce a tax of 1⁄2 d per hundred matches. Match-making companies complained about the new levy and arranged a mass-meeting at Victoria Park, London on Sunday 23 April; 3,000 match workers attended, the majority of whom were from Bryant & May. It was resolved to march on the following day to the Houses of Parliament to present a petition. Several thousand match-makers set off from Bow Road in an orderly fashion[. The demonstration comprised mostly girls between the ages of thirteen and twenty, and were working classes. On the same day as the meeting in Victoria Park, Queen Victoria wrote to the prime minister, William Gladstone, to protest about the tax: it is difficult not to feel considerable doubt as to the wisdom of the proposed tax on matches ... [which] will be felt by all classes to whom matches have become a necessity of life. ... this tax which is intended should press on all equally will in fact only be severely felt by the poor which would be very wrong and most impolitic at the present moment. The day following the march, Robert Lowe announced in the House of Commons that the proposed tax was being withdrawn. Bryant and May was involved in three of the most divisive industrial episodes of the 19th century, the sweating of domestic out-workers, the wage "fines" that led to the London matchgirls strike of 1888 and the scandal of "phossy jaw". The strike won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The company rebuilt their Bow factory in 1909-1910, with many modern innovations including two tall towers housing water storage tanks for a sprinkler system. By 1911 it employed more than 2,000 female workers, the largest factory in London To protect its position Bryant & May merged with or took over its rivals. These were: Bell and Black, Swan Vestas]S. J. Moreland and Sons who sold matches under the trade name England's Glory. In the 1980s, factories in Gloucester and Glasgow closed leaving Liverpool as the last match factory in the UK. This continued until December 1994. The premises survive today as 'the Matchworks' (grade 2 listed building) and the Matchbox all using the existing buildings with renovations done by Urban Splash The British match brands continue to survive as brands of Swedish Match and are made outside the UK. Other parts of the merged company involved in shaving products survive, and still use the trade name Wilkinson Sword in Europe, and the Schick trade name elsewhere. However, the shaving products are made in Germany. Stay in Touch Peter gsseditor@gmail.com

Thursday 19 October 2023

< Web Page 3069 19th October 2023 First Picture: In Arden House
Second Picture Bill Simpson
Third Picture: Radio Times cover
Fourth Picture: Dr Finlay and Janet
Dr Finlay’s Casebook When I was a teenager my parents would not miss a particular programme on a Sunday evening, Dr Finey’s Casebook. The popular series was set in the 1920s in a pre-NHS medical practice in the fictional Scottish town of Tannochbrae (the series was actually filmed in the Highland town of Callander). The series – debuting on the BBC on 16 August 1962 – restored the dignity of the medical profession after Dr Kildare. Compared to the feverish activity of Kildare, Tannochbrae was in a permanent state of anaesthesia. The basic concept for the series was based on the characters and settings created by the writer A.J. Cronin in a number of short stories based on his own experiences as a doctor. The residents of Arden House were the crusty Dr Angus Cameron (Andrew Cruickshank), a confirmed bachelor who loved chess, was prone to asthma and was the type of old-fashioned doctor who intimidated patients into recovery; ‘young’ Dr Alan Finlay (Bill Simpson), who never looked a day under 40; and no-nonsense housekeeper Janet MacPherson – played to stiff Presbyterian perfection by Barbara Mullen. The series was put together in just five weeks to fill a gap in the schedules. Andrew Cruikshank said; “It was very rushed at first and nobody ever noticed that Dr Cameron’s room at Arden House didn’t have a window”. Bill Simpson was plucked from reading the news with Scottish ITV in Glasgow. Like Dr Finlay, he was an ex-farmer and hailed from the Ayrshire fishing village of Dunure, almost an exact replica of Tannochbrae. The BBC took great pains to maintain period detail in the series and there was a surprisingly large amount of location footage, clearly shot in rural Scotland. This helped create a realistic setting for the stories as well as provide a sense of isolation. The little town of Tannochbrae – in truth, not much more than a village – had a 26-bed cottage hospital, with the Lanark Infirmary nearby, and an ambulance obtainable from the police station or neighbouring Knoxhill. Among its active population, Tannochbrae numbered a good few workers from the colliery and shipyard not far away and – being near the Clyde and a pleasant loch – it attracted businessmen who commuted from their offices in Glasgow. The daily medical needs of a sleepy lowland community between the wars proved hugely successful with viewers and Dr Finlay’s Casebook was a Sunday evening must for millions of viewers during the 1960s. During the final season, the inhabitants of the Arden House surgery also appeared on radio, where they carried on dispensing common sense and rubbing ointment for a further seven years. The show made stars of the dapper Bill Simpson, veteran actor Andrew Cruickshank and Barbara Mullen. One person, however, did take exception to the odious little Dr Snoddy (Eric Woodburn). When the programme finally ended at the start of the 1970s, a Dr Desmond Reilly told a London conference of medical officers; “Dr Snoddy should be in horror movies. Over the years, he has been seen to bungle cases or to be an obstructionist. The best thing to happen for the good name of public health has been the dropping of the series”. ITV revived Doctor Finlay in 1993 with Ian Bannen, Annette Crosbie and David Rintoul playing the parts of Doctor Cameron, Janet and Doctor Finlay and, in 2001, John Gordon Sinclair took on the title role in new adaptations of Cronin’s stories for BBC Radio 4. Stay in touch Peter gsseditor@gmail.com

Wednesday 11 October 2023

Web Page 3067 12th October 2023 First Picture: Barbara Moore
Second Picture Arrival in Cornwall
Third Picture: On the road
Fourth Picture: Walking in America Dr Barbara Moore Dr. Barbara Moore, was born Anna Cherkasova (Russian: Анна Черкасова;) on the 22nd December 1903 and died on 14th May 1977). She was a Russian-born British engineer who attempted to gain celebrity status in the early 1960s for her long-distance walking and promotion of questionable health fads. Dr. Moore was among the first generation of Soviet female engineers after the Russian Revolution. In 1932, she became the Soviet Union's long-distance motorcycle champion. She immigrated to Great Britain in 1939, marrying an art teacher, Harry Moore, however they later separated. At times she also used the name Barbara Moore-Pataleewa. In December 1959, she walked from Edinburgh to London. In early 1960, she hit the headlines when she walked from John o'Groats to Land's End in 23 she was 56 years of age at the time. After her journey, a few months later in 1960, Billy Butlin launched the End-to-End Challenge, also making national news headlines and 715 people left John O’Groats. But with little preparation, only 138 reached the other end. But this started the great publicity surrounding this route which has been tackled in many strange ways since. She then undertook an 86-day, 3,387-mile walk from San Francisco to New York City, where she arrived on 6th July 1960. She was a vegetarian and a breatharian, believing it is possible for people to survive without food. She walked with only a supply of nuts, honey, raw fruit and vegetable juice for nourishment. I have no idea why she was a Doctor but she was always referred to as Doctor. She was always a vegetarian and also a breatharian, claiming that it was possible to survive without food! In November 1944 the then-new Vegan Society held its first meeting, at the Attic Club, 144 High Holborn, London. Those in attendance were Donald Watson, Elsie B. Shrigley, Fay K. Henderson, Alfred Hy Haffenden, Paul Spencer and Bernard Drake, with Dr Moore as an observer. She was convinced that most people could live to be 200 years old by abstaining from smoking, drinking alcohol and sex. She claimed she had cured herself of leukemia by way of a special diet she had developed. To test her health theories, she planned to build a laboratory next door to her home in Frimley. She was soon drawn into a lengthy legal battle over a sewer and access roads for a nearby housing estate. She spent years and most of her life savings fighting her case, but ultimately lost in the High Court of Justice. She was jailed for contempt of court after she refused to accept the ruling. She died in a London hospital on 14th May 1977, bankrupt and near starvation because of her refusal to eat. Christopher writes:- Your article on ice cream brought back wonderful memories of Dagostino’s in Guildhall Square where after swimming in the City baths we would sit and eat our ice cream reeking of chlorine. Stay in touch Peter gsseditor@gmail.com

Wednesday 4 October 2023

Web Page 3065 5th October 2023 First Picture: Walls sign
Third Picture: Ice Cream Van
Fourth Picture: Cornetto
When it comes to ice cream sales, Wall’s has got it licked. It has two brands in the global top ten ice cream rankings, sells 40 brands under the Heartbrand logo and delivers happiness in form of ice cream in 52 countries around the world. In 1913 an entrepreneurial butcher called Thomas Wall decided to counteract the summer dip in sales of sausages by branching out into selling ice cream. World War 1 put his idea on hold. But when Unilever purchased the business in 1922 and large commercial freezers began arriving from the US, the Wall’s ice cream brand was brought to life. Demand for Wall’s saw vendors travelling the streets of London to sell ice cream via horse and cart. It wasn’t long before bike deliveries were added to the mix. By 1939, Wall’s fleet of tricycle salespeople was 8,500 strong. Fast forward 20 years and construction began for Wall’s first state- of-the-art factory. In 1962, at full capacity, it produced 90,000 gallons of ice cream each day. And it’s still in operation today, making 4 million Cornetto ice creams every week and more than 1 billion ice creams every year. The brand has come a long way from selling vanilla ices on the streets of London. Today, Wall’s sells more than 40 brands, many of them local to specific markets. What’s more, its ice creams are sold in 52 countries around the world. There are five Unilever brands in the top ten bestselling ice creams in the world. Two of them – Cornetto and Carte D’Or – are part of Wall’s Heartbrand portfolio. In 2021, sales from Unilever’s Ice Cream portfolio reached €6.9 billion in turnover, with underlying sales growth of 5.7%. Wall’s was one of three €1 billion ice cream brands. Today, out-of-home purchases still play a significant part in ice cream sales, but the Covid pandemic has opened new quick commerce channels to supply ice cream to consumers. Getting ice cream to consumers fast and without spoiling has been achieved through partnerships with delivery services alongside tapping into Wall’s existing network of freezer cabinets in local stores and restaurants. This network works to ensure brands such as Carte D’Or go from an online order to delivery to the consumer’s doorstep in less than 30 minutes. In 2021, this combination of speed and response to consumer demand saw this part of our ice cream business grow by 60%. There is something for everyone in the Wall’s ice cream portfolio, The ice cream with the ‘catchiest jingle ever’ First aired in 1982, this Wall’s Cornetto ad featured a young woman who thinks she is being wooed by an Italian gondolier but finds that he is only after her ice cream. The jingle ‘Just One Cornetto’ was set to the tune of the famous 1898 Italian opera song, ‘O Sole Mio’, a globally recognised Neapolitan song. It was voted the catchiest advertising jingle ever and saw the brand itself doing different advertising variants and one UK beer brand do its own popular spoof. Stay in touch Peter gsseditor@gmail.com