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Thursday, 26 January 2023

Web Page 3038 27th January 2023 First Picture: Publicity Picture
Second Picture: With Marilyn Munroe
Third Picture: The Vaughan family
Forth Picture: With wife Stella
Frankie Vaughan Frankie Vaughan CBE DL was born Frank Fruim Abelson on 3rd February 1928 and died on 17th September 1999. He recorded more than 80 easy listening and traditional pop singles in his lifetime. He was known as "Mr. Moonlight" after his signature song "Give Me the Moonlight, Give Me the Girl". Two of his singles topped the UK Singles Chart – "The Garden of Eden" (1957) and "Tower of Strength" (1961). He starred in several films, including a role opposite Marilyn Monroe in Let's Make Love (1960). He was (1960) was born on Devon Street in the Islington district of Liverpool and was one of four children of Isaac and Leah Abelson. He came from a family of Russian Jewish descent, and derived his stage surname from his grandmother; as he was her first-born grandson, she called him "Frank my 'number one' grandson", and her Russian accent made "one" sound like "Vaughan". In his early life, he was a member of the Lancaster Lads' Club, a member group of the National Association of Boys' Clubs; having started out at the club intending to become a boxer[ he was a major contributor to them during his career, dedicating his monetary compensation from one song each year to them. He was an evacuee during World War II[. He attended the Lancaster College of Art on a scholarship and was a vocalist in their dance band. After a stint in the Royal Army Medical Corps (where he spent most of his time boxing) he returned to art school, this time at the Leeds College of Art. An early appearance was in the Leeds students rag revue “It’s Rag Time” which opened on June 20, 1949 at the Empire Theatre in Leeds when he was described as the show’s main vocalist. He was still known as Frank Abelson at that time. When he won a prize in a design contest, he left for London, where he won second prize on a radio talent show. He auditioned for the agent Billy Marsh who quickly booked him in for a week at the Kingston Empire in May 1950 with Jimmy Wheeler. His debut went well with press comment stating "Frankie Vaughan gives a promising performance when singing some new and old songs in a crooning style. He receives a warm reception." This led to further bookings on the variety circuit and he appeared with the veteran male impersonator Hetty King on several occasions. Her guidance helped change his style for the rest of his career. He became known as a fancy dresser, wearing top hat, bow tie, tails, and cane. He made his first television appearance on October 13, 1951 in a variety show from the Theatre Royal, Leeds starring Gracie Fields. He was introduced by Donald Peers and sang "Lucky Me". He made his first records in 1950 for HMV but they were not popular. In August 1952 he joined the dance band of Nat Temple for a year but the popularity of further recordings he made in 1953 encouraged him to return to the variety stage. He switched to the Philips label and in 1955, he recorded what was to become his trademark song, "Give Me the Moonlight, Give Me the Girl". He recorded a large number of songs that were covers of United States hit songs, including Perry Como's "Kewpie Doll", Jimmie Rodgers' "Kisses Sweeter than Wine", Boyd Bennett's "Seventeen", Jim Lowe's "The Green Door", and (with the Kaye Sisters), the Fleetwoods' "Come Softly to Me". In 1956, his cover of "The Green Door" reached No. 2 in the UK Singles Chart. The same year he was voted 'Showbusiness Personality of the Year'. In early 1957, his version of "The Garden of Eden", reached No. 1 in the UK Singles Chart. In 1957 he was voted the eighth most popular star at the British box office. Managed at this time by former journalist and theatrical agent Paul Cave, he stayed in the United States for a time to make a film with Marilyn Monroe, Let's Make Love (1960), and was an actor in several other films, but his recordings were never chart hits in the US,] with the exception of "Judy", which reached No.100 on the Billboard Hot 100 in August 1958. In 1961, he was on the bill at the Royal Variety Performance at the Prince of Wales Theatre, , London. That December, he hit No. 1 in the UK again, with "Tower of Strength”. The rise of beat music eclipsed his chart career before he returned to the Top 10 in 1967 with "There Must Be a Way". Chart success eluded him after this although he did have two more Top 40 singles; "Nevertheless" and "So Tired". In the late 1960s, he involved himself with a youth project in Easterhouse, Glasgow. He was appalled by the level of violence amongst young people. He held meetings with the gang leaders and appealed for them to surrender their weapons. In 1985, he starred in a stage version of 42nd Street at Drury Lane opposite his old friend Shani Wallis who appeared in their first film together, Ramsbottom Rides Again. After a year, he nearly died of peritonitis and had to leave the cast. He was married to Stella Shock (1924–2022) from 1951 until his death; the couple had three children, a daughter Susan (b.1963) and two sons, singer and David Sye (b.1961) and actor-singer Andrew Abelson (b.1968). In 1994, he was one of a few to be honoured by a second appearance on This Is Your Life, having been a subject of the show previously in April 1970] Despite frequent bouts of ill-health, he continued performing until shortly before his death from heart failure in 1999. He was awarded an OBE in 1965, a CBE in 1996, and as a long-time resident of High Wycombe had been appointed a Deputy Lieutenant of Buckinghamshire since 1993. He was an Honorary Fellow of Liverpool John Moores University. He also received the Variety Club of Great Britain Award for "Showbusiness Personality of the Year" in 1957. He died from heart failure at his home in High Wycombe aged 71. His wife donated archival materials, including scores and sheet music he had collected throughout his career to Liverpool John Moores University in 2000. Stay in Touch Peter gsseditor@gmail.com

Thursday, 19 January 2023

Web Page 3036 20th January 2023 First Picture: Jelly Bunny
Second Picture: Nestle Tinned Milk
Third Picture: Felix the Cat
Forth Picture: Indoor Fireworks
Parties The other day Pam and I were talking about the birthday party food produced by our parents when we were kids. First of all we both remembered jelly bunnies. I remember my mother struggling with a bowl of warm water to free the jelly bunny from the aluminium mould. The same went for the large pink Blancmange which accompanied the jelly. The jelly bunnies were usually surrounded by chopped green jelly to represent grass. On the table there were always a plate with a collection of white and pink Sugar mice all with string tails. My grandmother, who lived with us, would always make individual Butterfly cakes with a filling made of butter cream and she would also make a jam filled Victoria jam sponge The selection of sandwiches in those days was very different from those see that we see around today. Luncheon Meat, Spam, Nutella, Shipham’s Bloater Paste, Heinz Sandwich Spread, cheese and tomato, also Chicken Paste, jam sandwiches and there nearly always was a plate of plain white bread and butter. Do you remember the Sweet Cornets, filled with marsh mellow and with hundreds and thousands sprinkled all over the top bought and from the local bakery. Cream filled meringues and eclairs were also very popular, plus packets of Dolly Mixtures and not forgetting the obligatory Birthday Cake and candles. Our parties always featured bowls of canned peaches or pears served with tinned Nestles cream or maybe Ideal Milk. Drinks featured, lemonade, cherryade, ginger beer, dandelion and burdock and ice cream, soda and orange and lemon squash plus Tizer. These party occasions called for us to wear our best clothes and party dresses with smart shoes and white socks. Then came the party entertainment, we must have all played pass the parcel, pin the tail on the donkey and musical statues. Plus the group games such as The Farmer wants a Wife and Ring a Ring of Roses; then, of course. there were the team games such as passing a balloon between the knees or chins along a line of children, One of our near neighbours had three children and the father, know to us as Uncle Ray, had an ancient 8mm cine projector and a selection of Felix the Cat silent films. Such films as Felix goes on Walking. Felix predated Mickey Mouse by several years but died out when talking films flooded the market. Uncle Ray would come in after work and set up the projector and stretch a sheet across the wall as a screen and off we would go. This always marked the end of the party and then everyone went home and in those days party or doggie bags were unheard of. On very rare occasions the party would end with indoor fireworks. Do you remember the appalling smell they gave out. Then after the birthday party, the following day, came the obligatory chore of writing thank you notes to all the relations who had sent you a birthday present!!!!! Stay in Touch Peter gsseditor@gmail.com

Thursday, 12 January 2023

Web Page 3034 14th January 2023 First Picture: Desperate Dan
Second Picture: Cow Pie
Third Picture: The Dandy
Forth Picture: Desperate Dan statue
Desperate Dan Desperate Dan is a wild west character in the now-defunct Scottish comic magazine The Dandy, and became its mascot. He made his appearance in the first issue which was dated 4th December 1937. He is apparently the world's strongest man, able to lift a cow with one hand. The pillow of his (reinforced) bed is filled with building rubble and his beard is so tough he shaves with a blowtorch. The character was created by Dudley D. Watkins, originally as an outlaw or ‘desperado’ (hence his name), but evolved into a more sympathetic type, using his strength to help the underdog. After Dudley Watkins’ death in 1969, the cartoons were drawn by many other artists, principally Ken H. Harrison. When the Dandy became digital-only in 2012, the Desperate Dan strips were drawn by David Parkins. There is a statue of Dan in Dundee, Scotland, where his publishers, D. C. Thomson & Co. are based. Although The Dandy Annuals featured new strips from other artists from then on, the comic continued reprinting Watkins strips until 1983 (though the then Korky the Cat artist Charles Grigg drew new strips for annuals and summer specials), when it was decided to start running new strips. These were initially drawn by Peter Davidson, but Ken H. Harrison soon took over as regular artist. The following year Dan was promoted to the front cover of The Dandy, replacing Korky who had been there since issue 1. Starting from issue 2985, dated 6th February 1999, Cuddles and Dimples replaced Dan on the front cover. This didn't last long, however, as after a readers' poll in 2000, Dan returned to the cover. Although Ken Harrison was the main artist from 1983 to 2007, other artists have also occasionally filled in for Harrison. When The Dandy was redesigned and renamed Dandy Xtreme, the writers used reprints of the old comic strips, until Jamie Smart took over drawing and writing the Desperate Dan comic strips in April 2008 Desperate Dan's final appearance left his fate ambiguous after being caught in an oil well explosion. Desperate Dan's favourite food is cow pie with the horns sticking out, although the term "cow pie" has a different meaning in the American West. Much like Popeye with his spinach, Desperate Dan draws his immense power from eating these pies. Desperate Dan was voted the UK's second favourite superhero after Batman in 2011. Initially Dan was a desperado on the wrong side of the law, hence the name Desperate Dan. Later on, however, he switched sides and become a friendlier character, helping the underdog, although sometimes his great strength caused more harm than good. With the first revamp of The Dandy (from issue 3282, 16 October 2004) Dan, was redesigned slightly. His eyes and chin became much bigger and exaggerated. Dan's personality was changed to that of a bumbling fool, a change to which many fans objected. He was originally going to be left out of the revamped issues, but focus group tests objected to his absence[ A number of spin-off strips have appeared in The Dandy over the years, including Desperate Dawg in the 1970s and 80s, Danny and Katey in the late 1980s and Aunt Aggie in the 2000s (before the 2004 relaunch).[2] A statue of him (and his dog Dawg) can be found in the High Street of Dundee, Scotland – The Dandy is published by Dundee-based D. C. Thomson & Co. The Desperate Dan statue (erected as part of the Dundee Public Art Programme) is the most photographed of 120 pieces of public art in the city. After the print Dandy ended with its 75th anniversary issue. The Dandy relaunched as a digital comic. Stay in Touch Peter gsseditor@gmail.com

Wednesday, 4 January 2023

Web Page 3032 12th January 2023 The Tufty Club First Picture: Tufty and Family
Second Picture: Tufty Club badge
Third Picture: Road Safety Game
Forth Picture: Tufty Club membership book
The Tufty Club. Were you a member? Tufty Fluffytail, a childlike red squirrel character was created in 1953 by Elsie Mills at The Royal Society for the Prevention of Accidents. It was hoped that Tufty would help to communicate safety messages to children across the United Kingdom for many years. In 1961, his influence was cemented through the formation of the Tufty Club This was a nationwide network of local road safety groups for children. At its peak, there were 24,500 registered Tufty Clubs, with membership passing two million children in 1972. Although focusing on road safety education, Tufty and his Furryfolk friends – including Policeman Badger, Willy Weasel, Harry Hare, Minnie Mole and Mrs Owl – also made forays into other areas of child safety, including home and water safety. TV spots (which were voiced by Bernard Cribbins), books, comics, board games, handkerchiefs, jigsaw puzzles, stickers, colouring books, Christmas cards, soft toys, ceramic figures, puppets, toothbrushes, knitting patterns, nightwear and song sheets were among the items that helped to maintain Tufty’s profile. Tufty’s image was changed to keep up with the times in 1979 (when Princess Michael of Kent became the president of the Tufty Club) and again in 1993, before new methods of helping children to learn about road safety came to the fore. In 2007, Tufty once again rose to national prominence when he made a guest appearance in the cult BBC series Life on Mars. The club relied heavily on catch phrases and saying one of the best remembered is :- Stay in Touch HAPPY NEW YEAR Peter gsseditor@gmail.com

Thursday, 29 December 2022

Web Page 3030 5th January 2023 First Picture: Peter Scott
Second Picture: Crackerjack
Third Picture: Max Jaffa
Forth Picture: Chipperfields Circus
BBC CHRISTMAS TV 1959 Christmas Eve Thursday 24th December 1959 BBCTV 1.00pm Beunydd (In Welsh : Daily news, and a talk on Welsh religious matters) 1.15pm Closedown 2.30pm Watch with Mother : Rag, Tag, and Bobtail 2.45pm Man from 1997 a comic fantasy 3.30pm Faraway Look Kangaroos and Koalas Peter Scott looks back, with his wife, on his first Faraway Look tour which took him to Australia,New Zealand, New Guinea, and Fiji 4.30pm The Apple Tree with the Golden Apples Hungarian film. The story told by Johnny Morris 4.55pm Children's Newsreel 5.10pm Eamonn Andrews in Christmas Crackerjack featuring Lenny the Lion with Terry Hall, Pearl Carr and Teddy Johnson and Ronnie Corbett . Raymond Rollett 6.05pm News, The Weather 6.25pm Christmas Fare A look ahead at Christmas programmes with Michael Aspel 6.30pm Carols from Canterbury Sung in the Crypt and the Choir of the cathedral 7.05pm Film : The Trail to Christmas (1957) starring James Stewart 7.30pm Julie Andrews and John Fraser in "The Gentle Flame" 8.15pm Amahl and the Night Visitors 9.00pm News Summary 9.05pm Film : Sister Kenny (1946) starring Rosalind Russell 10.55pm Mass of the Nativity from the Roman Catholic Bergkirche, Eisenstadt, Austria 12.00 Closedown Christmas Day Friday 25th December 1959 8.30am Christmas Greeting A programme of carols by The George Mitchell Glee Club and Dennis Wilson Quartet 9.00am The Queen (sound only) 9.03am Dartington Christmas Festival introduced by Huw Wheldon 9.30am Gwyl Y Geni (Festival of the Nativity) 10.00am Closedown 11.00am Morning Service from St George's Parish Church, Stockport 11.45am Peace on Earth Christmas programme from the International Pestalozzi Children's Villages in Switzerland and in Sussex children from all over Europe gather round the Christmas tree as one family. 12.15pm Meet Mr Kringle film comedy 1.00pm News Summary 1.15pm Music with Max Max Jaffa's with The Trio, Alicia Markova and the Linden Singers 1.35pm Days Before Christmas National Film Board of Canada 2.00pm Boots and Saddles : Dispatch Rider 2.25pm While Angels Watch A documentary film about Queen Alexandra's Nursing Service 3.00pm Chipperfield's Circus 4.00pm Billy Cotton's Christmas Party 4.45pm A Kiss for Cinderella starring Jeannie Carson 6.15pm News Summary 6.20pm Christmas Night with the Stars featuring Jimmy Logan Show ,Charlie Drake, Whack-O! 7.35pm Harry Belafonte in Songs of Many Land 8.20pm Film : High Noon (1952) starring Gary Cooper, Grace Kelly, 9.45pm News Summary 9.50pm Bleak House Charles Dickens adapted for television 10.20pm Make Way for Music Alyn Ainsworth and the BBC Northern Dance Orchestra 10.50pm Epilogue for Christmas Day The Rev. Frederic Greeves Principal of Didsbury College, Bristol followed by Weather Closedown Stay in Touch HAPPY NEW YEAR Peter gsseditor@gmail.com

Thursday, 22 December 2022

Web Page No 3028 22nd December 2022 Christmas in the 1950’s First Picture: Christmas Tree Lights
Second Picture: Tree decorations
Third Picture: Glass tree decorations
Forth Picture: St. Nick Christmas Lights
In the 1950’s and 60’s the approaching Christmas season saw my folks buying all kinds of different foodstuffs and fancy goods to place on the sideboard for the festive period. Various items that were never seen in our home at other time of the year. Firstly, there would be a net bag selection of various types of nuts. Walnuts, Hazel nuts (why we bought these as we had a whole row of hazel nut trees in our back garden), plus Brazil nuts, this naturally started a search through the various cupboards and drawers around the house for the nut crackers which had not been seen since the previous Christmas. Another item only purchased at this time was Turkish Delight (not the Fry’s version but the real thing dusted with icing sugar). The only person that liked it was my grandmother, who lived with us. The hexagonal box would be placed with its wooden fork on the side board and there it sat for several weeks until my grandmother finally finished it off sometime in mid-January. Another item bought around this time were tangerines, I liked them and would frequently attack the bowl of them set out on the sideboard. Talking about fruit, this was the only time in the year that we ever saw Crystalised Fruit in our house. Oblong boxes of dates would also appear. They were horrible, sticky things that came with their own long handled eaters. Again, I cannot remember anyone liking these particular fruits but it was the done thing to have them available. As was a tray of Sharpes toffee complete with its little hammer to break up the block with. We now come to alcohol. This was something the was rarely kept in our house. Some bottles of stout were bought in for my grandmother and a bottle of Advocaat so my father could make snowballs for my mother. Babycham and Pony were bought in for guests and so was sherry and Port so that Port and Lemon could be offered and of course lemonade for me. My dad would go out and buy some luxury smoking aid , Du Maurier in its bright red flat box and mini cigars such as Manakin. These items would be put on the sideboard so they could be offered to visitors. Then there were the homemade decorations! You Write Obituary Robert Barlow Robert ( Bob ) Barlow passed away on Saturday 17th December aged 78 after suffering a general decline in his health over the last few weeks. The son of John & Mary Barlow who owned the well know Chemist and gift shop in Cosham High Street , Bakers of Cosham we lived over the shop throughout our school life. Bob went to Court Lane infants school and then primary school and then secondary school which became Manor Court. Bob became head boy while he was there and finished school in 1961. He then joined National Provincial Bank which became NatWest. He stayed there and took early retirement in his mid 50s. He also travelled a lot on his holidays. I will post funeral arrangements when known. Regards Peter Barlow Stay in Touch Peter gsseditor@gmail.com

Wednesday, 14 December 2022

Second Picture: With Margaret Rutherford
Third Picture: Up to His Neck
Forth Picture: Original Navy Lark
Ronald Shiner Ronald Alfred Shiner (8 June 1903 – 29 June 1966) was a British stand-up comedian and comedy actor whose career encompassed film, West End theatre and music hall. When he was seventeen, Shiner joined the Royal North-West Mounted Police, after which he became a signalman and a wireless operator, then a farmer. He also worked as a greengrocer, milkman and book makers clerk. He served for three years in the British Army. Army concerts gave him a taste for the stage. He made his stage debut in 1928 in Dr Syn and the following year became a stage director at the Stage Society. During the early 1930s he appeared in a number of West End plays at the Whitehall Theatre by Walter C. Hackett including Good Losers, Take a Chance, Afterwards and Road House. His first film was Wild Boy (1934) with Sonnie Hale and Flanagan & Allen. He had support roles in My Old Dutch (1934), Doctor's Orders (1934) and It's a Bet (1935). He could also be seen in Gentlemans Agreement (1935), Royal Cavalcade (1935), Squibs (1935), Once a Thief (1935), While Parents Sleep (1935),Line Engaged (1935), Invitation to the Waltz (1936), King of Hearts (1936), Limelight (1936) with Anna Neagle and Arthur Tracy, Excuse My Glove (1936) and Dreaming Lips (1937). He was in another with Anna Neagle, London Melody (1937), then was in Doctor Syn (1937), The Black Tulip (1937), Beauty and the Barge (1937), and Silver Blaze (1937). He was uncredited in A Yank at Oxford (1938) and Sidewalks of London (1938), and had bigger parts in They Drive by Night (1938), The Gang's All Here (1939), The Mind of Mr. Reeder (1939), Trouble Brewing (1939) with George Formby, The Nursemaid Who Disappeared (1939), I Killed the Count (1939), Flying Fifty-Five (1939), Discoveries (1939), The Lion Has Wings (1939), Come On George! (1939) with Formby, Bulldog Sees It Through (1940) with Jack Buchanan, The Missing People (1940) with Will Fyffe, The Middle Watch (1940) with Buchanan, Let George Do It! (1940) with Formby,[3] The Case of the Frightened Lady (1940), Spare a Copper (1940) with Formby, Salvage with a Smile (1941), The Seventh Survivor (1941), Old Bill and Son (1941), South American George (1941) with Formby. On stage he was in Behind the Schemes (1940) and notably Something in the Air (1943–44). He had a popular radio segment Home Town. His film parts remained small in They Flew Alone (1942), Those Kids from Town (1942), The Big Blockade (1942), The Black Sheep of Whitehall (1941) with Will Hay, Unpublished Story (1942), Sabotage at Sea (1942), The Young Mr. Pitt (1942), King Arthur Was a Gentleman (1942) with Arthur Askey, The Balloon Goes Up (1943) and The Gentle Sex (1943). He was fourth billed in George Formby's Get Cracking (1943). He had smaller roles in Miss London Ltd. (1943) with Askey, Thursday's Child (1943), My Learned Friend (1943) with Hay, The Butler's Dilemma (1943), and The Night Invader (1943). He was in Askey's Bees in Paradise (1944) and had small roles in I Live in Grosvenor Square (1945) with Anna Neagle, and Caesar and Cleopatra (1945). His career received a massive boost when he appeared in a stage hit Worm's Eye View which ran from 1945 to 1947 performing in it over 1,700 times, On screen, George Formby gave him another good part in George in Civvy Street (1946) and had a decent role in The Man Within (1947). He was in a children's film Dusty Bates (1947) and had a good part in Forbidden (1949). He had another huge stage success when he headlined the wartime play Seagulls Over Sorrento (1950–54) which he played for almost 2,000 performances. He became a film star almost overnight when cast as a drill sergeant in the comedy Reluctant Heroes (1951) which he had played on stage. Directed by Jack Raymond, this was one of the most popular films in British cinemas in 1952. Also popular was Worm's Eye View (1952), the film version of the stage comedy, with Diana Dors. These two films saw him voted Britain's most popular local male star in cinemas in 1952. He remained a star for Top of the Form (1953), his first film for the Rank Organisation. He was in Innocents in Paris (1953) with Alastair Sim and supported, He was voted the third biggest British star of 1953, after Jack Hawkins and Alec Guinness. At the height of his career he insured his nose for £10,000 because he said "it's me beak which made 'em larf."[ He took the lead Up to His Neck (1954), Aunt Clara (1954) with Margaret Rutherford, See How They Run (1955), Keep It Clean (1956), Dry Rot (1956) and My Wife's Family (1956). His role as Badger in Seagulls Over Sorrento was taken by Sid James, although he reprised it for the BBC in 1956 and 1961. He played in My Three Angels on stage in 1955. He had a cameo in Carry On Admiral (1957) and was the lead in Not Wanted on Voyage (1957), Girls at Sea (1958) and The Navy Lark (1958). He had a support part in the popular Operation Bullshine (1959) and supported in The Night We Got the Bird (1961). He was the subject of This Is Your Life in 1958 when he was surprised by Eamonn Andrews at the BBC Television Theatre. He starred in the London production of Aladdin as Widow Twankey with Bob Monkhouse at the Coliseum in 1960. On the BBC he was in productions of Seagulls Over Sorrento (1961) and Worm's Eye View (1962). He also made a TV series Send for Shiner. In retirement he owned a pub at Blackboys in Sussex. British Pathe News filmed a newsreel of him in his pub, being visited by Jimmy Edwards, in 1954. Shiner suffered ill health during his last few years. In 1963 he moved from London to Eastbourne for his health. He died in hospital there in June 1966 leaving an estate of £30,955. Stay in Touch Peter gsseditor@gmail.com You Write: I like to study the pictures Peter puts up on the website for the details. Yes, I know it's a bit Nerdy but it's harmless. Looking at the latest picture I would say it was taken during the period 1949 to 1953. Peter can correct me on that if he does know the actual date. To the details. Southwick Hill road of course is sharp left turn in the picture and up to QA hospital and beyond. Looking up the picture and the road is the A3 London Rd to Purbrook and Waterlooville, Cowplain and beyond. People often call the A3 London Rd. Portsdown Hill Rd. but it's not. That road runs along the top of Portsdown Hill East to West. Note the prefab homes built on the lower slopes of the hill in the picture. These were quickly erected during and post WW2 to accommodate those families bombed out in Portsmouth air raids. They remained in place up until the 1960's and were demolished to make way for the ill fated Portsdown Park homes which were also demolished not long after being built due to uncontrollable penetrating damp problems and very poor construction. Just across from the Southwick Rd entrance you can see a black car parked up. It looks like a 1947'ish Ford or Morris 10 Can't quite see the details. Next to that is a rarity with it's back to the picture. A mobile camper on the back of the van/car. If that was around today it would fetch a small fortune in good condition. Anybody else spot the trolley bus to Horndean in the picture? These were kept overnight in a large bus shed in Cowplain which had previously served for the Horndean light railway engine shed. How the old HLR is really needed today to relieve traffic congestion. It does look like the Kid's are off to school and my guess it would be Portsdown Park school. The original school wooden huts are no longer there of course. Note PC Plod on traffic school crossing duty just out of picture. Regards to Everyone Melvyn ( Griff ) Griffiths. >

Thursday, 8 December 2022

Web Page 3024 8th December 2022 First Picture: Publicity Photo
Second Picture: Christmas Alphabet
Third Picture: Dickie and family
Forth Picture: Memorial plaque
Dickie Valentine Richard Bryce (né Maxwell; 4 November 1929 – 6 May 1971 was known professionally as Dickie Valentine, and enjoyed great popularity in Britain during the 1950s. In addition to several other Top Ten hit singles, He had two chart-toppers on the UK Singles Chart with "Finger of Suspicion", featuring The Stargazers (1954) and the seasonal "Christmas Alphabet" (1955). He was born Richard Maxwell in November 1929 (his birth father was Dickie Maxwell) in Marylebone. He was known as Richard Bryce after his mother married Bryce. Dickie Valentine's first acting job was at age only three when he appeared in the British comedy film Jack's the Boy starring Jack Hulbert and Cicely Courtneidge He developed a flexible vocal style and skills as an impersonator of famous singers. Actor-singer Bill O'Connor overheard him singing as a call boy at Her Majesty's Theatre in London and paid for his voice lessons. He sang in clubs and learned stagecraft to help gain confidence and experience. While he was in his late teens, he was singing at the Panama Club one night when music publisher Sid Green saw him and brought him to the attention of bandleader Ted Heath. On 14 February 1949, Dickie Valentine, an unknown, was signed by Ted Heath to join his band, Ted Heath and his Music, to sing alongside Lita Roza and Dennis Lotis. He was voted the Top UK Male Vocalist in 1952 while singing with the Ted Heath Orchestra, the most successful of all British big bands, and again after going solo in 1954. In November 1954, he was invited to sing at the Royal Command Performance, and in February 1955 he was top billed at the London Palladium. He also cracked jokes and impersonated entertainers, including Johnnie Ray, Frankie Laine, Mario Lanza and Billy Daniels. He recorded two number one hits, "Christmas Alphabet" and "The Finger of Suspicion (Points at You)". His first chart-topper came only two months after his marriage to Elizabeth Flynn at Caxton Hall, which caused scenes of hysteria and was widely expected to sound the death knell to his career. In fact, 1955 was by far his best chart year, with both the two number ones and three other's placed in the Top Ten. While his second number one saw him playing 'King Canute' to Bill Haley's incoming tide of rock and roll, "Christmas Alphabet" marked the first time in the UK that a song created for the Christmas market would hit number one. In April 1955, he again topped the bill at the London Palladium for two weeks, a month after winning the male vocalist category in the NME poll. He went on to win this title consecutively from 1953 to 1957. In 1961, he had a television series Calling Dickie Valentine. In 1966 he partnered with Peter Sellers on the ATV sketch show The Dickie Valentine Show. Although his fame began to wane during the 1960s, he remained a popular live performer until his death. He was travelling back to his friends home where he was staying, after having played a concert at the Double Diamond Club in Caerphilly, he was killed outright in a car crash on a single lane bridge at Glangrwyney, near Crickhowell, on 6 May 1971, at the age of 41, together with pianist Sidney Boatman and drummer Dave Pearson, both aged 42. The coroner's inquest revealed the car in which the three were travelling to have been driven in excess of 90 mph at the time of impact, and that Dickie Valentine, who was driving his wife Wendy's Hillman Avenger, with which he was unfamiliar (he was awaiting delivery of his new customised car), had lost control of the vehicle while attempting to take a (clearly marked) dangerous bend. Even though he had travelled on that stretch of road many times and was familiar with its hazards, it was thought that his attention might have been distracted by conversation with his friends, in addition to fatigue (the crash having happened at 4:20am). There was also heavy fog in the area. The coroner returned a verdict of 'death by misadventure'. Valentine is interred at Slough Crematorium. A commemorative plaque was unveiled on the new bridge on August 7, 2021 by his son Richard Valentine and other family members and friends of the three musicians. Dickie Valentine married Elizabeth Flynn, a Scottish professional ice skater, in 1954. They had two children together, Richard (later a television director) and Kim, but divorced in 1967. He married the actress Wendy Wayne in 1968. Prior to the car accident, Wayne and Valentine were scheduled to undertake a twenty-week summer season at the Water Splash in Jersey Stay in touch Peter gsseditor@gmail.com

Thursday, 1 December 2022

Web Page 3022 30th November 2022 Molly Weir First Picture: Publicity Photo
Third Picture: 1955 photo
Forth Picture: Flash Advert.
Molly Weir was a well known Scottish actress who was born Mary Weir in 1910 in Glasgow but was known as Molly. She appeared as the character Hazel the McWitch in the BBC TV series Rentaghost. She was also the sister of naturalist and broadcaster Tom Weir. She began working in amateur dramatics and her early professional career progressd as she became a well-known radio actress, featuring in many comedy shows. She was one of the original cast members of The McFlannels. Her original part, in 1939, as 'Mrs McLeather', was quietly dropped and, later, to her delight, she became the wee Glesca keelie, 'Ivy McTweed', who made an enjoyable contrast to the wee douce 'Teenie' of Down at the Mains, which she played at the same time. She wrote that the series "became a great joy to me" and made her a real 'name' in Glasgow, and in Scotland. The most famous radio series she appeared in was ITMA. In relation to that show, the Labour MP for Coatbridge, Jean Mann, complained about her character during a House of Commons debate in February 1947: “ greatest insult of all to Scotland is the introduction of a Scots girl to ITMA who is supposed to be falling head over heels for a little 'twerp' called 'The Governor'. No true Scotswoman would ever have looked at him twice. “ Her greatest theatrical success came in the play The Happiest Days of Your Life. She made her film debut in 1949, and had a regular role as the housekeeper, Aggie McDonald, in the radio and television sitcom Life With The Lyons. During the 1970s and early 1980s she became famous as a writer, with several volumes of best-selling memoirs, notably, Shoes Were For Sunday. She also appeared in a series of television advertisements for Flash the household cleaning agent. In 1969, she appeared in the 1969 film The Prime of Miss Jean Brodie starring Dame Maggie Smith. She and Helena Gloag played the Kerr sisters, the sewing mistresses of Marcia Blaine School for Girls. In 1970 they reprised their collaboration in the 1970 film Scrooge, playing old sisters in debt to Mr Scrooge, played by Albert Finney. In the 1970s she was one of the presenters of Teatime Tales, a television series broadcast by STV in which she recalled her childhood. In the 1980s, she lampooned this homely image in the comedy series Victoria Wood As Seen On TV and appeared in a pop video for The Bluebells 1983 hit Young at Heart. She is also the subject of the 1988 song Molly's Lips by The Vaselines, and later covered by Nirvana. After her death, Molly Weir's ashes were scattered on the banks of Loch Lomond, a favourite holiday location; and almost all her estate (of nearly £1.9 million), was bequeathed to charities. She had married Sandy Hamilton in 1939. I met her once at the revived Radio Radio show in Earls Court, London. This was a one off event held in the mid 1970s. After watching an interview with Robert Morley I wandered off to the Childrens Area where I listened to Molly Weir telling a story . When she left the area she walked over to me, took me by the arms and said walk with me to the Green Room, during that short walk I learnt all about her life with her husband Scotty. Stay in touch Peter gsseditor@gmail.com

Thursday, 24 November 2022

Web Page 3020 23 November 2022 The Bumblies First Picture: The Bumblies
Second Picture: Michael Bentine with the Bumblies
Third Picture: DVD featuring two Bumblies episodes
Do you remember the thirteen-part series presented by Michael Bentine, The Bumblies. Here is Michael Bentines explanation of who and what they were. For many years I have been looking into space through a rose-coloured telescope without seeing anything very unusual, so you can imagine the excitement one night when I found myself looking at a new planet which no other human being had ever seen before. I was even more excited when a little while later three visitors from this planet came flying into my room in their own little spaceship, and since then they have become my dearest friends. We appear on television together quite frequently, and you have probably seen us, so you will know that my three visitors are called Bumbly One, Bumbly Two and Bumbly Three, and that they come from the Planet Bumble. Their spaceship is called a flying saucer, and at home they have flying cups as well. It is very hard to see the Planet Bumble from earth, because it is almost always on the other side of the moon. In fact Bumblies do not see the face of the man in the moon; they see only the back of his head. The Bumblies have told me a lot about life on their planet, and I have taught them a lot about our life on earth. They love eating ice-cream, but they were very surprised to find that the only way to get it here is to go into a shop and buy some. At home, they can go out into the country and dig up great big chunks of ice-cream for nothing. You see, on the planet Bumble they have ice-cream mountains--all different kinds--and even the rock is peppermint flavoured. Bumblies like very sweet things to eat, and they always have plenty of treacle on their food. This comes from treacle wells which are dotted all around the countryside. In the woods you will find Balloon bushes and Twang trees. I think the trees have been given that funny name because the branches are very good for making catapults and when you fire a catapult it goes 'twang'. You have probably noticed on my television programme that the Bumblies do not walk. They simply float from place to place--which really is a simple way of getting around and I wish I could do it because it would stop me getting holes in my shoes. Mind you, on the Planet Bumble, the Bumblies can either walk or float; but the different quality of the atmosphere on earth makes it impossible for them to walk here. Unfortunately he tripped over an electric cable and put all the lights out in the studio, which brought the Head of Television running upstairs in a great temper and he ordered Bumbly Three never to try and walk in the studios again. by "Professor" Michael Bentine Bumbly Three is always getting into trouble, poor chap, for, as he says himself, he is not very bright. But he always has the best intentions, so I can never find it in my heart to blame him when things go wrong. Bumbly One and Bumbly Two, who are both much cleverer, are always ready to excuse Bumbly Three and I thought it was very good of them that they did not get angry with him when he let their flying saucer run out of Bumble juice half-way between the Planet Bumble and Mars. All that happened on that occasion was that Bumbly Three had to get out of the saucer and tow it through space until they came to a garage where they could buy some more Bumble juice. It might have been very dangerous, but it turned out all right, and Bumbly Three apologized in the nicest way. He promised never to let it happen again, but knowing him as well as I do, I think he will find it very difficult to keep his promise. One thing I must admit is that Bumbly Three is always willing to try anything once. When he came to afternoon tea with me for the first time, he asked if he could make the sandwiches. He had never seen a sandwich before, but I gave him a cucumber and a loaf of bread, and explained what a sandwich is. Bumbly Three went off into a corner by himself, and came back as proud as Punch with his sandwich. 'Here it is, Professor,' he said. I couldn't help laughing when I saw what he had done. He had cut the loaf of bread in half, and put the whole cucumber in the middle. I don't know who would have had a mouth big enough to eat it. Perhaps a giant, but certainly not a Bumbly. It seems that whatever Bumbly Three tries to do, he can't do it quite right. Ah, well, as he says himself, we can't all be geniuses. So far as I'm concerned, Bumbly Three may not be a genius, but he is so lovable that I forgive him all his mistakes even before he has made them. But that does not mean I like him better than Bumbly One (who is so wise) and Bumbly Two (who is such good fun). Ever since I first met them, I have been trying to decide which one of the three is the nicest. Some days I think it may be Number One, and other days it may be Number Two, and then I change my mind and say, 'Well, after all, it's Number Three'. Perhaps you would like to write and tell me which one you like best. Stay in touch Peter gsseditor@gmail.com

Thursday, 17 November 2022

Web Page 3018 16th November 2022 Comedy Bands First Picture: Sid Millwall and his Nitwits
Second Picture: Dr Crock and his Crackpots
Third Picture: Nuts & Bolts
Around the later years of the 1940’s right up to the mid 1960’s one of the most popular forms of entertainment was the comedy musical groups with their acts based on classical music. Here are three of the most popular. Sid Millward and his Nitwits Sidney Millward (9th December 1909 – 2nd2 February 1972) was a British musician who led the comedy band Sid Millward and His Nitwits, performing comedy classical music from the 1930s until the 1970s. Sid Millward was born in London, and raised in the East End. He left school in his teens but studied woodwind at the Royal College of Music. By the mid-1930s he was known as a leading saxophone and clarinet player in swing bands, including the Jack Hylton Orchestra. He formed his own band in 1937 naming them the Nitwits the following year. They made regular appearances on BBC radio, and became the resident band at the Café Anglais in Leicester Square. In the Second World War they performed as part of Stars in Battledress in ENSA. After the war, they were the house band on the BBC radio show Ignorance Is Bliss, and featured in the 1949 film The Nitwits on Parade. In 1950 they had their own radio show, Nitwit Serenade, and later were frequent performers on British television variety shows. Beside Sid Millward, band members included Wally Stewart, Cyril Lagey, Charlie Rossi, Arthur Calkin, Sid Flood, Harry Coles, Ronnie Genarda and Tony Traverci. They played "wild versions of classical hits, interspersed with madcap, visual jokes", and were an influence on the Bonzo Dog Doo Dah Band. Comedian Roy Hudd described them as "an idiot conductor in an ill-fitting tail suit with mad hair and a Hitler moustache... [with] a bunch of idiot-looking senile delinquents...". By 1960, as theatre work dried up in Britain, the band started working regularly at Le Lido nightclub in Paris, and moved to the Stardust Resort and Casino in Las Vegas, run by Moe Dalitz, in 1962. They returned to Britain in 1967, before a short stint working in Teheran just before the Six Days War. The band then returned to Las Vegas. Following several heart attacks, Sid Millward gave up playing the clarinet, and instead "wandered around the stage in tails and spats, waving a baton around rather pointlessly. He died in 1972, from another heart attack, in a hotel in Carolina, Puerto Rico, during a season performing there. He was buried in Puerto Rico after his widow refused to pay for his body to be repatriated. Dr. Crock and his Crackpots Dr. Crock and His Crackpots were another British comedy band popular between the 1940s and 1960s. They were led by saxophone and clarinet player Harry Hines. Henry Albert "Harry" Hines (born Henrick James Albert Rudolph Hinz; 9 June 1903 – 14 May 1971) was a jazz musician, born in Tottenham, London. He learned clarinet when in the Royal Navy, later learned the saxophone, and became a professional musician in 1933. In the 1930s and early 1940s, he played in various dance bands, including those of Ambrose, Ray Noble, Teddy Brown, and Maurice Winnick, and wrote arrangements. In 1947, Maurice Winnick persuaded Harry Hines to take over the musical interludes in the popular radio programme Ignorance Is Bliss, after Sid Millward and His Nitwits left the show. Though he as a serious musician, was initially reluctant, he formed a band, which was given the name Dr Crock and His Crackpots by Maurice Winnick. They typically played classical themes at breakneck speed, interspersed with noises such as cowbells and hooters; "like a cross between a small symphony orchestra and a Dixieland jazz band". Soon afterwards, when Harry Hines wanted to leave the radio show, he took a successful legal action against Maurice Winnick, who claimed he had the legal right to use the band name. In the 1950s and early 1960s, Dr Crock and His Crackpots, with a line-up comprising both musicians and comedians, toured successfully, often topping the bill at variety shows and performing in a style similar to the American combo, Spike Jones and His City Slickers. Harry Hines died in London in 1971, aged 67. Nuts and Bolts Nuts & Bolts were another world-famous musical comedy orchestra from the UK. This absurd act performed their last American tour in 2000 to rave reviews. Before that they toured all over Europe and South America performing their hilariously funny 'Concert Of Music'. The fun started when you thought you were about to hear a concert of classical music and then mayhem came to call in the shape of Count Rossini! Each of the characters in the show had a strange, quirky personality and played even stranger musical instruments! Nuts & Bolts left you aching with laughter and wondering what on earth had just hit you! Stay in touch Peter GSSEditor@gmail.com

Thursday, 10 November 2022

Web Page 3016 9th November 2022 Conway Stewart First Picture: Conway Stewart Advert
Second Picture: The Gold nib
Third Picture: Gift Set
Forth Picture: The Winston Set
For those who wanted a pen a little better than the Osmoroid a Conway Stewart was the pen of choice. Conway Stewart is a British former manufacturing company of writing implements, founded in 1905 by Frank Jarvis and Thomas Garner in London. The company became notable for its fountain pens, although it also produced ballpoint pens. Conway Stewart was placed in receivership in 2014, with its stocks and assets acquired by Bespoke British Pens Ltd., which owns the rights to the brand since then. Jarvis and Garner had previously worked for the De La Rue Company, the leading British fountain pen manufacturer of the time. Drawing on the experience they had gained at De La Rue, the two started their own business, initially reselling fountain pens manufactured by other companies. The name "Conway Stewart" was apparently derived from a popular music hall act of the time. The fountain pen market in Britain at that time was dominated by De La Rue and it was clear to Frank Jarvis and Thomas Garner that only a very limited market share could be gained by reselling un-branded fountain pens. At the same time, De La Rue was embarking on a substantial marketing campaign by re-branding its products "Onoto". Jarvis and Garner identified a market niche for attractive and reliable writing instruments at an affordable price. The 1920s saw rapid development of the Conway Stewart product line. Pens of several different types of filling mechanisms, materials and sizes were offered for sale. The business model proved successful for Conway Stewart and its market share increased at the expense of other established manufacturers. As a result, Conway Stewart had outgrown its initial premises and in 1927 the company relocated to a larger facility which would serve as its home for the next two decades. During the depression years, the company was able to remain profitable, helped by the public's perception of good value products. In 1935, Conway Stewart went public, raising additional capital at the same time by offering shares. The years of World War II proved difficult for Conway Stewart and many other manufacturers; there were shortages of materials but the company managed to survive by continuing to offer good reliable pens at reasonable prices. Emerging from post-war austerity in Britain, the 1950s proved to be golden years for Conway Stewart, with the creative use of coloured plastic reaching its peak. The company once again relocated to new premises, but the golden age proved to be short-lived. At the same time, the ballpoint pen was being developed and while initially unreliable and more expensive than comparably finished fountain pens, soon decreased rapidly in price. Conway Stewart, along with most other fountain pen manufacturers of the time, failed to anticipate the effect that this innovative product would have on fountain pen sales. In the 1960s, fountain pen sales declined very quickly and Conway Stewart began to feel the effect of falling revenues. The company tried to compete by offering lower priced fountain pens and also introduced ballpoint pens to its range. The company relocated to Crumlin, Caerphilly in Wales in 1968, taking advantage of regional development grants, but its financial health continued to deteriorate. In 1975, the company was wound-up and production ceased. The company was revived in the 1990s, with headquarters in Plymouth. Sales started in 1998, although some models had been produced for special occasions before that, including for the Heads of State attending the 1998 G8 Summit in Birmingham. On 28 August 2014, the company was placed in receivership. The remaining stock, as well as the machinery and tooling, were sold off and its offices closed. Bespoke British Pens went on to acquire the stock of components from the Conway Stewart factory. The Turners Workshop Ltd in the UK bought all the remaining materials including large stocks of Casein, Ebonite Cellulose Acetate and Acrylics. On 11 November 2014, Mr Caltagirone Emmanuel registered the trademark Conway Stewart for the USA. Early models marketed by Conway Stewart were sourced from other manufacturers, were made of hard rubber and were indistinguishable from many other pens available at that time. By the mid-1920s, the company was establishing its own design style, helped by the use of colourful celluloid and casein plastics. The plastics of the 1940s to 1960s were produced in a variety of styles and colours and while never specifically named by Conway Stewart, they have become known informally by collectors by names such as cracked ice, herringbone, tiger’s eye and crosshatch and the more common marbled finish. Of particular note is the model 22 which was produced in the 1950s in a floral pattern. This was produced in very small numbers compared to other models of the time. There is some uncertainty as to the number produced; estimates range from 200 to 2000. After the early 1960s injection moulded plastic of a uniform colour was used for the manufacture of pens. Nibs, which had been 14ct gold until this time, were generally replaced by stainless steel. 1990s–present Models produced in this era are made for the "high-end" of the market and feature precious metals, enamels and celluloid plastics and 18ct gold nibs. The Conway Stewart trademark in the UK was purchased by Helix from the liquidators in 1975. The trademark was then purchased by another company with a view to relaunching the brand on a range of fibre tipped pen for the mass market, only limited numbers were produced and in 1994 Don Yendle purchased the UK tradename from the company. The USA trademark was purchased from Stuart Edwards of Palo Alto in 1994. In 1995 Don Yendle met with the directors of Shaeffer Australia who had registered the name with a view to relaunching a cheap range of Chinese pens for the Australian market. A meeting was held in Hong Kong in early 1995 whereby Don Yendle purchased the rights to the CS tradename for Australia. Having formed Conway Stewart as a Limited Company in the UK the trademark was registered in Europe and Asia to ensure worldwide security for the brand. Having researched Conway Stewarts previous manufacturing history and techniques Don Yendle wanted to keep true to its core values from 1905. What followed were 3 years of research into Casein and plastics including vulcanite for barrels and feeders for nibs. The company even used a Birmingham-based company who still used a 1-metre pantograph to make the miniature moulds for the pen clips in order to keep the detail in the clips. All of the new clips were exactly the same size as the originals so pen collectors would have spares for the vintage pens they wished to repair. After much experimentation with slabs of casein from uk and some very old stock from Japan Conway Stewart re-launched in 1997. At that first exhibition the Foreign Office chose Conway Stewart as a supplier of gifts for Number 10 Downing Street and gifts from the government to visiting dignitaries. The first collections were all made from casein with solid gold rings swaged on to each cap. Each slab of casein had to be cured for at least 3 months in drying room with just the right humidity. Returning the barrels to the drying room after each process in order to train the material to be 'round'. Each collection was limited to 500 pcs based on material and colour. Each pen code and number laser engraved on to each barrel. The company then introduced designs (Churchill series, 58, Dinkie) in acrylic, solid silver, and solid gold. The first solid gold pens were made for Her Majesty Queen Elizabeth and HRH Prince Philip on the celebration of their golden wedding anniversary 20 November 1997. Two pieces were made in 18ct solid gold. The queen wrote a letter of thanks for the gift stating they were 'useful to boot'. The pens were originally made in Horrabridge and the company moved to its Plymouth premises in 2001 having outgrown the original premises. The company continued to produce pens for the Prime Ministers Office, supplying birthday presents of a Conway Stewart Churchill to Bill Clinton, George Bush, Jacques Chirac, Vladimir Putin to name but a few. The pens were also selected by the Foreign Office as gifts to all world leaders at the G8 and G20 summits, along with pens for Prince Charles, Princess Diana and Barbara Cartland. Conway Stewart introduced a few prototype celluloid pens, mainly as overlays on solid silver Duro pens. The company supplied another set of gold pens for the celebration of Her Majesty's Golden Jubilee featuring a hard rubber Churchill with an 18ct Overlay. Only a few pieces were sold. Don Yendle sold the company to an investor in October 2003 having established worldwide distribution. Stay in touch Peter gsseditor@gmail.com

Thursday, 3 November 2022

Web Page 3014 2nd November 2022 WHACKO! First Picture: Professor Jimmy Edwards
Second Picture: School nameplate
Third Picture: A mass whacking
Forth Picture: In the classroom
Whack-O was a sitcom TV series starring Jimmy Edwards, written by Frank Muir and Denis Norden, and broadcast from 1956 to 1960 and 1971 to 1972. The series (in black and white) ran on the BBC from 1956 to 1960 and (in colour) from 1971 to 1972. Jimmy Edwards took the part of Professor James Edwards, M.A., the drunken, gambling, devious, cane-swishing headmaster who tyrannised staff and children at Chiselbury public school (described in the opening titles as "for the sons of Gentlefolk"). The Jimmy Edwards character bore more than a passing resemblance to Sergeant Bilko as he tried to swindle the children out of their pocket money to finance his many schemes. The first six episodes were subtitled "Six of the Best". In 1959 a film was made based on the show, called Bottoms Up!. The series was revived in colour with updated scripts in 1971–72, slightly retitled Whacko!. In all, it ran for a total of 60 episodes, with 47 of black-and-white and 13 colour, of 30 minutes each. There were three special shorts. There was also a radio version with Vera Lynn starring as herself in the second episode. Many of these radio episodes were recovered by a BBC archivist from a listener's collection of tapes in 2012, and are now being broadcast on Radio 4 Extra. The front of the historic house of near Egham in Surrey was used in the opening title sequence of the TV comedy series, behind the name of the fictional Chiselbury School. Most of the show's episodes are missing, presumed lost. Six of the original black-and-white episodes are known to exist today; from the colour revival series of the early 1970s, only one is known to have survived. TV comedy historians have written that the central theme of Whack-O! and Bottoms Up! was corporal punishment and specifically the caning of boys’ backsides. This however was largely absent from the revived series in 1971, as by that time corporal punishment was becoming less acceptable in Britain and was eventually banned in state and many independent schools in 1986. Whack-O! tended to glorify a ritualised form of punishment that had been an accepted practice in British schools, but by modern standards the popular humourizing of corporal punishment is an anathema. The comedy of the series was built around whether boys would be caught and punished for minor misdemeanours, and the size and effectiveness of canes and the building of caning devices. In one episode a device and long cane was made so six boys could be punished together. In another a device was made so the teacher carrying out the caning did not see the boy, and it turned out that all the backside seen to be caned were that of deputy headmaster Pettigrew (when played by Arthur Howard). A feature of Jummy Edwards carrying out punishment was the clear enjoyment he exhibited. Both Jimmy Edwards and Arthur Howard were gay men and Anthony Slide, a biographer of Jimmy Edwards with "Wake Up at the Back There! This is how the BBC sums up this aspect of Whack-O! on its official website: "Watching the series now is a little painful in one respect – we're too sensitive to find canings amusing – but it's right on the money in other ways, mainly because finding over-privileged kids vile hasn't gone out of fashion." BBC Radio adapted the TV scripts into 45 thirty-minute shows, mostly with the original cast, of which 42 recordings survive. There were three series which originally ran on the BBC Light Programme from 23 May 1961 until 22 July 1963. They have been repeated on BBC Radio Extra since 2015 and the last airing was in 2020. Jimmy Edwards died in 1988 Stay in touch Peter gsseditor@gmail.com